Here’s the first of (probably many) reviews I plan on writing, based on my extensive CD collection. I wanted to pick something I wasn’t especially attached to, but something I liked. Architecture in Helsinki’s “Fingers Crossed” is just that. It’s an enjoyable listen with a few stand out tracks, but nothing to write home to mom over.
I remember I first heard of this band through Amazon’s “You might also like…” pages. I downloaded 3 tracks, just to see what they were like. The songs were, “Imaginary Ordinary,” “Like a Call,” and “Do the Whirlwind.” Two of those songs are on “Fingers Crossed.” I immediately liked them. They had a childlike playfulness hidden behind their instrumentation and their vocals that was very compelling.
The first song on the album is an instrumental called “One Heavy February” and as soon as it begins, you can tell you’re going to be in for some short, carefree pieces of music with a sweetness that you can’t help but love.
With the entrance of the female vocals on the following track “Souvenirs” coming in with some childlike “lalala” action before segueing into some poetic lyrics that speak nostalgia.
The knuckle-drag of “Scissor Paper Rock” and “To and Fro” are a bit of a let down, after such an upbeat beginning.
The fun returns with the prophetic “Spring 2008″ which works as a good preparation for the bubble-pop of the album’s stand-out track “Owls Go,” a fast-paced, but innocent song, whose verses are peppered with alternating shouts and whispers of “Owls Go!” And a charmingly deceptive chorus sung by the female vocalist “Finding a replacement with a heart sedated, I’ll forget you/Attic in the basement with a knife serrated, I’ll protect you.” Who knows what it means? It’s oddly sweet.
“Kindling” is another up-beat, building tune, whose tendency for the epic is surprising, considering it’s less than two minutes long.
Following “Kindling,” the album seems to wind down, with the slower paced “It’s almost a trap” and “Like a Call,” leading into the beautiful and simple duet “Where you’ve been hiding.”
“City Calm Down” seems like a lullabye, works as a counterpoint to “Owls Go,” reprising some its musical motifs, and asking us to calm down, before it gains momentum and takes on a symphonic quality, building to a climax that drops off at the end.
The final track “Vanishing” is a favourite of mine, with the simple lyric “Is this a fling? It’s [been] seven days and you’re already vanishing.” It begins in a similar fashion to the album Opener, with a bouncy, somewhat optimistic sounding instrumental theme before easing out into a slow, contemplative movement. The question asked in the lyrics forebodes a broken heart, but the music is laced with hope and optimism, as though the question were asked with fingers crossed. harr harr
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